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Avant-Garde Performance and the Limits of Criticism
Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement
by Mike Sell
Honorable Mention for the Joe A. Callaway Prize for the Best Book in Drama and Theatre
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Bodies in Commotion
Disability and Performance
edited by Carrie Sandahl and Philip Auslander
Afterword by Peggy Phelan
Winner of the Best Book Award from the Association for Theatre in Higher Education (ATHE)
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Ethnic Drag
Performing Race, Nation, Sexuality in West Germany
by Katrin Sieg
Winner of the Joe A. Callaway Prize for Best Book on Drama and Theatre
Winner of the Research Award for Outstanding Book in Theatre Practice and Pedagogy from the Association for Theatre in Higher Education (ATHE)
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The Haunted Stage
The Theatre as Memory Machine
by Marvin Carlson
Winner of the Joe A. Callaway Prize for Best Book on Drama and Theatre
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Land/Scape/Theater
edited by Elinor Fuchs and Una Chaudhuri
Winner of the Single Achievement in Editing Award from the Association for Theatre in Higher Education (ATHE)
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The Past as Present in the Drama of August Wilson
by Harry J. Elam, Jr.
Winner of the Errol Hill Prize from the American Society for Theatre Research (ASTR)
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The Player's Passion
Studies in the Science of Acting
by Joseph R. Roach
Winner of the Barnard Hewitt Award for Theatre History from the American Society of Theatre Research (ASTR)
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Playing Underground
A Critical History of the 1960s Off-Off-Broadway Movement
by Stephen J. Bottoms
Honorable Mention for the Barnard Hewitt Award from the American Society for Theatre Research (ASTR)
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Queering Mestizaje
Transculturation and Performance
by Alicia Arrizón
Co-winner of the Modern Language Association Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies and Winner of the Outstanding Book Award from the Association for Theatre in Higher Education (ATHE)
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The Stage Life of Props
by Andrew Sofer
Named runner-up for the Barnard Hewitt Award from the American Society for Theatre Research (ASTR)
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When Romeo Was a Woman
Charlotte Cushman and Her Circle of Female Spectators
by Lisa Merrill
Winner of the Joe A. Callaway Prize for the Best Book on Drama or Theatre
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